The American audio company JBL (James Bullough Lansing) has a reputation for quality speakers that are designed to protect your ears while listening to your favorite music. JBL offers a variety of different types of speakers, including portable devices and wireless loudspeakers. Their products are designed to amplify sound without damaging your ears, making them ideal for electronic music festivals.
These loudspeakers are ideal for electronic music because they can produce a wide range of frequencies and a deep bass response. Moreover, they have a high-frequency boost feature that improves the clarity of mids and highs. This feature is useful for separating vocals from bass and drums. They are available in a variety of colors and sizes. Some models are available in a rechargeable battery version.
The JBL VTX A12 is equipped with next-generation speaker components and a streamlined rigging system. Its redesigned Radiation Boundary Integrator delivers distortion-free audio for massive coverage across a large area, which is perfect for the dance floor at an electronic music festival. Moreover, the VTX A12 features the same quick-rigging system as its predecessors, which means you can set up your stage in less time and have more time to enjoy the music.
Founded by quantum physicist Christian Heil in 1984, L-Acoustics had the simple aim of developing solutions anchored in science to serve the touring industry. They went on to revolutionise line source array technology, a standard that has since been adopted by countless venues, arenas and festivals around the world. Today, the company is a global leader in premium professional sound reinforcement systems with a product range that suits every type of application: touring of all levels, events, installations and AV.
In a nutshell, their systems use highly directive line source loudspeakers to provide uniform coverage across the venue, with no “dead spots” and excellent sound consistency. Their flagship L-ISA Immersive Hyperreal Sound system is a true revelation, and it’s one of the reasons why so many artists choose to play their shows on an L-Acoustics solution.
It’s no surprise that British Columbia’s underground champion Bass Coast uses a massive Trinity rig to deliver an immersive experience at their festival. The team behind the event has a shared love of music and sound system culture, which is evident in their sonic aesthetic – from the music curated to the speakers they use.
Another great system is L-Acoustics’ Syva, which has a sleek design that looks good in any environment. It can be used in a variety of configurations, including as a quick and easy balcony fill, and its modular nature allows it to scale up or down with ease. Last year, it was deployed at the Louis Vuitton fashion show in Paris to provide sonic coverage for the audience and models.
The company’s Kara and K1 systems were designed primarily for large-scale events, and they remain the choice of top tour and festival engineers worldwide. The new K1-A features the latest in acoustic research and development, including the revolutionary PULS technology, which increases power density without sacrificing clarity or frequency response. The result is a larger system with greater power, flexibility and stability than ever before.
You may have seen L-Acoustics’ huge banana-like black speaker arrays suspended above a gig, or perhaps you’ve enjoyed a cocooned evening listening to Daniel Avery and Alessandro Cortini on Pitchblack Playback’s immersive Ocean system in Highgate. It’s the French manufacturer’s flagship immersive system, and it’s now available for you to enjoy in your own home.
Funktion One is one of the leading sound system brands for Electronic music festivals. Its systems are known for their ability to reproduce bass frequencies, with a deep and full sound. They are also able to deliver high frequencies with clarity, transparency and an eye-catching aesthetic. They have four main product ranges – the Resolution, Evolution and Dance Stack series, as well as smaller systems called Pods.
Their founders were the co-founders of Turbo Sound, a pioneering loudspeaker manufacturer in the ’70s. They’re responsible for several generations of revolutionary speaker design. Their ethos and approach to audio are highly respected. They have a strong anti-line array stance, and often criticise the use of line arrays for live events.
The company’s systems are widely used in top clubs, including Berghain & Sisyphos in Berlin and Space & Output in New York. They’re also the preferred choice of DJs, producers and promoters alike.
In a world where the majority of people go to festivals to dance, good sound is key to getting the crowds up and dancing. Many festivals rely on large Funktion One systems to deliver a punchy and crisp sound, while still complying with noise ordinances and other regulations.
Unlike other sound systems, Funktion One’s system uses horn-loaded point source speakers to create a highly responsive acoustic output. This allows them to achieve a high conversion rate of amplifier power into acoustic energy. This creates a natural, immersive and responsive sound quality that’s ideal for dance music.
Funktion One’s claim to be ‘dedicated to raising our sonic consciousness’ isn’t just empty marketing. It’s backed up by their dedication to creating innovative solutions for every kind of audio challenge. The company is a leading influence in industry sound system standards, with a consistent affinity for innovation from a spiritual and technical stance.
The founders of Funktion One are renowned in the music world as audiophiles with a keen eye for detail and a love of all things musical. Their passion for creating a better world through the medium of audio is clear from their work, and their dedication to improving the overall listening experience at every level of their products.